The Familiar (1999)

I’ve always been more interested in using fractals to push ideas rather than to serve as decorations

Still Life with Dracula (2002)

and this approach has sometimes proven very handy at Halloween to illustrate horror themes

Back to the Blair Witch (2000)

because although fractals can treat by assuming forms that are strikingly beautiful and infinitely lovely

Ghost Rhetoric (2003)

they also occasionally trick by mutating into forms that are awful and terrible and horrible and icky

Dandy Werewolf (2004)

but, of course, and by an artistic process combining both treat and trick, only in a frightfully fun way.