{"id":4499,"date":"2013-02-14T19:56:00","date_gmt":"2013-02-15T00:56:00","guid":{"rendered":"http:\/\/orbittrap.ca\/?p=4499"},"modified":"2013-02-15T00:22:32","modified_gmt":"2013-02-15T05:22:32","slug":"jump-into-fractals","status":"publish","type":"post","link":"http:\/\/orbittrap.ca\/?p=4499","title":{"rendered":"Jump into Fractals!"},"content":{"rendered":"

Stop what you’re doing, forget everything you know –and just jump into fractals!<\/p>\n

~Click on images to view full size on original site~<\/em><\/p>\n

\"alienFlower<\/a>

alienFlower by love1008<\/p><\/div>\n

Synthetic.\u00a0 That’s a good word in computer art.\u00a0 You like synthetic things if you like computer art.\u00a0 There’s too much color in this?\u00a0 It looks unnatural?\u00a0 It’s synthetic, just like those chewy fruit candies that don’t really taste like real fruit.\u00a0 They taste better than real fruit.\u00a0 Space age flavours.\u00a0 This image has space age colors.\u00a0 Love it, or the image will delete you.<\/p>\n

Based on that watermark in the bottom right corner, I think love1008 would like you to visit his Deviant Art page<\/a>.\u00a0 If you’re color blind you won’t see anything.<\/p>\n

Now, I know this is going to sound a little weird, but I find the next image to be fractal like even though it’s a four hundred year old painting of Mary Queen of Scots:<\/p>\n

\"Mary_Queen_of_Scots_by_Nicholas_Hilliard_1578\"<\/a>

Mary_Queen_of_Scots_by_Nicholas_Hilliard_1578<\/p><\/div>\n

Here’s a fractal made with Sterlingware, the fractalist’s fractal program:<\/p>\n

\"Queen<\/a>

Queen Mary by King Fractal<\/p><\/div>\n

Don’t see a resemblance?\u00a0 They’re both made up of curves, lacework, smooth textures, and all arranged in an almost –fractal-like way.\u00a0 One just happens to have a women’s face in it.\u00a0 All the rest is pure geometry.\u00a0 I’ve seen better fractal examples of this sort of lacework, frilly, curving portrait like imagery, but this is the only one I could find easily.<\/p>\n

\"MB3D_0443_hd<\/a>

MB3D_0443_hd by 0Encrypted0<\/p><\/div>\n

Little things, like exponents, negative signs and zeroes have the ability to transform context and context transforms everything else.\u00a0 Is this a particularly artsy, expressive kind of image?\u00a0 I don’t think even the artist thought so or he’d have given it a more sublime title.\u00a0 What I think makes this image so interesting is the thing in the upper left corner and middle that resembles a hillside at night with city lights on it.\u00a0 Here’s a detail from the full size:<\/p>\n

\"MB3D_0443_hd

MB3D_0443_hd by 0Encrypted0 (detail)<\/p><\/div>\n

Then the bright, glow worm, firefly image in the center and the dark, shadowed, silent area to the lower right give the image a strange depth and contrast between brilliant, energetic and moving and the other: subdued, silent and secret.\u00a0 I was a little confused when I first saw this image because it seemed so vivid and alive and yet appeared to be, on the surface, made up of such ordinary things.<\/p>\n

\"Data136pic10035s<\/a>

Data136pic10035s by Trafassel<\/p><\/div>\n

Trafassel is always doing bold and unique things, but here what’s remarkable is the nice simple style of the image.\u00a0 It’s haunted.\u00a0 A city of cities built in the dark, or built for the dark.\u00a0 Here’s the finest part of the full size image:<\/p>\n

\"Data136pic10035s

Data136pic10035s (detail) by Trafassel<\/p><\/div>\n

As weird and intriguing as a pulp sci-fi cover.\u00a0 That light edge shading and marble surface texture looks painted and not computer calculated.\u00a0 A rare glimpse of style in the land of fractals.<\/p>\n

The image comes from a posting on Fractalforums that appeared over the recent Christmas holiday season announcing a new type of 3D fractal, tentatively named the Mandelex.\u00a0 This image above was Trafassel’s experimentation with that new formula.<\/p>\n

\"d\"<\/a>

mandelex 2 by Hiato<\/p><\/div>\n

Although I think Hiato was probably working in black and white for simplicity’s sake, the stark color scheme is perfect for the type of intense patterning that this formula does.<\/p>\n

\"mandelex<\/a>

mandelex 2 by Hiato<\/p><\/div>\n

Click to view the larger versions so you can get a better view of the rich detail.\u00a0 Hiato mentions the serpienski pattern at the corners which is another interesting feature.\u00a0 Unfortunately the thread seems to have gone dead with nothing else posted to it for a month now.\u00a0 But that may just mean Hiato and the others are tied up with other things for the time being.\u00a0 I think this could be an interesting development for the future.\u00a0 It was mentioned in the recent Chaos TV video<\/a> from Fractalforum.com’s sponsor and owner Christian Kleinhuis.<\/p>\n

\"Navalis_Ignis_Pauldebroti<\/a>

Navalis_Ignis_Pauldebroti by Alef<\/p><\/div>\n

Similar to the Mandelex, this one has raw, graphical creativity.\u00a0 Although it’s just a variation (I think) of the Burning Ship formula, that one was pretty good all on its own too.\u00a0 Note how the orange area goes from being sky and background in the upper left and then turns into a precisely cut wall or slice in the bottom.\u00a0 Likewise there are similar “multi-dimensional” effects with the dark areas becoming space and then silhouette.\u00a0 And then there’s the hazy sun image in the “sky” of the blue figure in the top right area.\u00a0 It’s an object that defies objectiveness, just like the tricky optical illusions in Salvador Dali’s many surrealist paintings.\u00a0 Raw fractals sometimes need nothing but a frame and that’s all Alef has done for this one.\u00a0 That’s a mark of genius in the fractal art world.<\/p>\n

\"FonkyBonkers<\/a>

FonkyBonkers by lxh<\/p><\/div>\n

3D fractals could almost be considered a type of synthetic architecture.\u00a0 Art Nouveau, an architectural style as well as a style of painting and decoration, would be just the category for this image.\u00a0 This is one of a new type of image that features the curving, non-squarish style of imagery.\u00a0 I think it’s going to be a whole step up for 3D fractals because the addition of such curving surfaces and designs makes for much more creative and interesting forms.<\/p>\n

Speaking of Art Nouveau, here’s something that looks like one of Gaudi’s famous buildings.\u00a0 All it lacks is a little more curvy-ness\u00a0 to offset the sharp edges and regular lines, but it makes up for that with that extremely ornate and creative point.<\/p>\n

\"PALACE<\/a>

PALACE by abbaszargar<\/p><\/div>\n

\"Charles_Rennie_Mackintosh_-_The_Wassail_1900\"<\/a>

Charles_Rennie_Mackintosh_-_The_Wassail_1900<\/p><\/div>\n

This of course is a painting, watercolor maybe, in the Art Nouveau style of Charles Mackintosh who apparently was Scottish.\u00a0 Rather unusual location for the Art Nouveau movement, but like many ideas in art it resonates with artists from all sorts of backgrounds.\u00a0 I included this because it’s a great example, as is most Art Nouveau, of flowing, geometric imagery.\u00a0 And so are most types of fractal imagery.<\/p>\n

I think fractals are most powerful in impression when they exhibit this sort of symmetry and complex pattern and simple shapes.\u00a0 That’s all this image really is; the hand painted faces, which fractals can’t produce, add something to the image but could easily have been substituted by simple shapes.<\/p>\n

\"Rise<\/a>

Rise by Tim Emit<\/p><\/div>\n

What makes this image remarkable and worth turning our attention to?\u00a0 I don’t know.\u00a0 But there’s something compelling about that big lump of fractal thing.\u00a0 It’s like a photo from a fractal biology textbook.\u00a0 This is something exotic and found growing only in remote places.\u00a0 Smaller versions have been grown in the laboratory, but they lack the robustness and size of ones like this that grow wild, on the side of a mountain, only lately discovered.<\/p>\n

\"pot4b<\/a>

pot4b by RamiGraFx<\/p><\/div>\n

What is it?\u00a0 It’s a hand.\u00a0 See the red box thing in its palm?\u00a0 It’s a hand showing you this thing it picked up.\u00a0 It’s been picking them all day and that’s why its fingertips are all covered with red stuff.<\/p>\n

\"wallpaper_hyperbolic_garden<\/a>

wallpaper_hyperbolic_garden by thargor6<\/p><\/div>\n

I think this was made with Apophysis.\u00a0 Not your average flame fractal image.\u00a0 Once again, I present an image with strong geometric characteristics.\u00a0 That is, except for the interesting woven sticks things in the center and other ball like structures.\u00a0 I think that’s what caught my eye at first.\u00a0 This image is a wide screen wallpaper and you really need to see it in its natural size to appreciate the detailed concentric circles.\u00a0 It looks very Christmassy, but still has enough general appeal to be looked at all year round.\u00a0 Perhaps it’s an aerial view of a forest and we’re looking down at the round outlines of the trees.\u00a0 The biggest one in the center being set high up on a hill.\u00a0 Apophysis can be used for good and not always for evil.<\/p>\n

\"Life<\/a>

Life as we don’t know it by Kali<\/p><\/div>\n

Kali’s been on a roll lately.\u00a0 Coming up with all sorts of graphically intriguing stuff.\u00a0 I think I mentioned his sea creatures and especially the scary, scary elephant worm<\/a> in a previous posting.\u00a0 Recently he’s come up with animated fog<\/a> for one of the 3D mandelbulb programs that looks like it was made in the computer lab of a major movie studio.\u00a0 And there’s the exploding mandelboxes<\/a>, too.\u00a0 I can’t show any of them here because they’re flash applets.\u00a0 Step right this way folks, to see the floating brain<\/a> and also the amazing liquid planet<\/a> (scroll down to it).<\/p>\n

This image incorporates, I suspect, some of the volumetric fog rendering techniques he’s been experimenting with.\u00a0 Depicting depth is technical challenge in all computer rendering because the appearance of depth, if you think about it, is the result of many complex things, such as air, which have to be deliberately programmed into the imagery.\u00a0 Perhaps it’s harder to generate the impression of depth than it is to program the fractals themselves.<\/p>\n

The fog is used to create the appearance of distance as more distant objects are deeper into the fog than closer ones. It also produces a rather nice effect in general making the image look more painterly than the average mandelbox.\u00a0 But it also has nice coloring and a fine use of lighting.\u00a0 Lighting is something that is a parameter –adjustable element– in 3D fractals and it can be used for better or for worse.\u00a0 This is an example of the better use of it, in fact, it’s an excellent example.\u00a0 Not only that,\u00a0 there’s a nice space at the top right for the title of the 2014 Fractalforums.com Calendar to go.\u00a0 It’s a natural choice for the cover and exemplifies the latest rendering techniques as well as the exotic sights that fractals can produce.\u00a0 Furthermore, this one has real commercial appeal to it being so well composed and finely rendered.<\/p>\n

\"Rainbow<\/a>

Rainbow Armada by isight<\/p><\/div>\n

Heavy duty 3D programming here.\u00a0 If you click on the image you’ll discover how easily it was to make: just a camera click.\u00a0 I’ve always felt that there’s more to fractal art that pertains purely to the eyes and mind than there is that pertains to the programming and math.\u00a0 From such a perspective, such a radical, precarious perch, comes the intuitive notion that other things are close to fractal art even though they are not anywhere near fractal math or programming.\u00a0 Here we start from the premise that the medium of fractal art is pixels –imagery– and not parameters.<\/p>\n

Is that crazy?\u00a0 I think I hit my head.\u00a0 That can happen when you just blindly jump into fractals.<\/p>\n","protected":false},"excerpt":{"rendered":"

Stop what you’re doing, forget everything you know –and just jump into fractals!<\/p>\n

Synthetic. That’s a good word in computer art. You like synthetic things if you like computer art. There’s too much color in this? It looks unnatural? It’s synthetic, just like those chewy fruit candies that don’t really taste like real fruit. They taste better than real fruit. Space age flavours. This image has space age colors. Love it, or the image will delete you. Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":4500,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2013\/02\/alienFlower-by-love1008.jpeg?fit=400%2C320","jetpack-related-posts":[{"id":360,"url":"http:\/\/orbittrap.ca\/?p=360","url_meta":{"origin":4499,"position":0},"title":"Apophysis Vs. Photoshop","author":"Tim","date":"9 January, 2009","format":false,"excerpt":"Fractal Tiger by Richard Diggle (ricdiggle)Yes, it's finally come to this.\u00a0 Apophysis, and all flame fractals have been replaced by a single Photoshop filter.Of course this new photoshop filter, Fractalius, by Redfield Plugins undoubtedly owes it's existence to that great inferno of flame fractals, Apophysis. Just as the name of\u2026","rel":"","context":"With 1 comment","block_context":{"text":"With 1 comment","link":"http:\/\/orbittrap.ca\/?p=360#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5154,"url":"http:\/\/orbittrap.ca\/?p=5154","url_meta":{"origin":4499,"position":1},"title":"The Synthetic Aesthetic 2: The Re-Introduction","author":"Tim","date":"29 August, 2013","format":false,"excerpt":"In the first part of this series, I introduced a few new ideas which have a central part to play in my concept of the Synthetic Aesthetic.\u00a0 I believe it might be of great benefit to pause and clarify those ideas before moving on to examples of actual artwork that\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5109,"url":"http:\/\/orbittrap.ca\/?p=5109","url_meta":{"origin":4499,"position":2},"title":"The Synthetic Aesthetic 3: Ultrashop and Photo Fractal","author":"Tim","date":"3 September, 2013","format":false,"excerpt":"This is the third part of a series on The Synthetic Aesthetic: artwork which is mechanically made as opposed to handmade ( Part 1 \/ Part 2 ).\u00a0 Fractal art borders on this synthetic realm because it is one of the most powerful tools for the computational generation of imagery.\u2026","rel":"","context":"With 1 comment","block_context":{"text":"With 1 comment","link":"http:\/\/orbittrap.ca\/?p=5109#comments"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2013\/09\/20061012-vor10-by-Samuel-Monnier.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5075,"url":"http:\/\/orbittrap.ca\/?p=5075","url_meta":{"origin":4499,"position":3},"title":"The Synthetic Aesthetic – Part 1","author":"Tim","date":"22 August, 2013","format":false,"excerpt":"This is another one of those theoretical postings; you might want to skip it and go look at some fresh fractal art instead.\u00a0 But if you're still interested, in this posting I intend to examine what fractal art has come to be and show that this evolution of the art\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2013\/08\/jhl16.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5983,"url":"http:\/\/orbittrap.ca\/?p=5983","url_meta":{"origin":4499,"position":4},"title":"Is JWildfire any better than Chaotica?","author":"Tim","date":"24 January, 2018","format":false,"excerpt":"Just like Chaotica, JWildfire has produced a handful of cool looking artworks but has its advances in flame fractal rendering helped artists overcome the obstacle to creative innovation in the genre of flame fractals?","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2018\/01\/jwildfire-flame-fractal-search-deviantart.jpeg?fit=532%2C584&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2018\/01\/jwildfire-flame-fractal-search-deviantart.jpeg?fit=532%2C584&resize=350%2C200 1x, https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2018\/01\/jwildfire-flame-fractal-search-deviantart.jpeg?fit=532%2C584&resize=525%2C300 1.5x"},"classes":[]},{"id":4633,"url":"http:\/\/orbittrap.ca\/?p=4633","url_meta":{"origin":4499,"position":5},"title":"Fractal Artists are Deluded Narcissists","author":"Tim","date":"26 March, 2013","format":false,"excerpt":"First, let me explain.\u00a0 I make such a bold statement not because I hate fractals (or fractal artists) but because I love fractals and include myself among the hopelessly deluded. A quaint anecdote I came to this realization in a rather unexpected way: through rediscovering the joy of fractal artistry.\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2013\/03\/fracto01.jpg?fit=494%2C599&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/posts\/4499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4499"}],"version-history":[{"count":13,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/posts\/4499\/revisions"}],"predecessor-version":[{"id":4530,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/posts\/4499\/revisions\/4530"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/media\/4500"}],"wp:attachment":[{"href":"http:\/\/orbittrap.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4499"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}