{"id":4143,"date":"2012-11-19T19:04:15","date_gmt":"2012-11-20T00:04:15","guid":{"rendered":"http:\/\/orbittrap.ca\/?p=4143"},"modified":"2012-11-19T19:11:54","modified_gmt":"2012-11-20T00:11:54","slug":"the-epiphytic-art-of-comments","status":"publish","type":"post","link":"http:\/\/orbittrap.ca\/?p=4143","title":{"rendered":"The Epiphytic Art of Comments"},"content":{"rendered":"

Like the elegant orchids and other surface-dwelling plant species called epiphytes<\/em>, image comments can have a richness and uniqueness that is surprising when one considers their tiny size and extremely casual origin.<\/p>\n

And also like the epiphytes of tropical forests, comments can become almost as great, collectively, as the underlying tree they’ve attached themselves to, to the point of obscuring or upstaging the creature that gave them their dwelling place and opportunity to be.<\/p>\n

But it’s a safe bet that comments are never going to die out as long as the synergy and mutually beneficial effects of leaving compliments and leaving personal hyperlinks<\/em> endures.<\/p>\n

But then, who would want them to?\u00a0 They are the graffiti of our times which, like graffiti, started out as merely idle mischief and casual (senseless) expression but subsequently became the subject of art exhibitions.<\/p>\n

\"\"<\/a>

Photograph by Dirk van der Made (user:DirkvdM<\/a>). Epiphytes near Santa Elena, Costa Rica, January 2004. {{cc-by}}<\/p><\/div>\n

In my journeys through the internet I found one particular “tree” on Redbubble.com whose prolific collection of epiphytes was arresting<\/em>.\u00a0 Like their exotic counterparts of the tropical forest, I found some of them to be quite collectible and consequently have arranged them with digital pins below in a virtual specimen gallery.<\/p>\n

Just to make one thing clear: I make no judgment as to the “beauty” or “value” of these comments –positive or negative– or even the image they were attached to.\u00a0 Who needs to judge or point out natural beauty if it truly exists?<\/p>\n

But I do add some comments of my own.\u00a0 Even I can’t stop the natural growth of these things.<\/p>\n

The Epiphytic Art of Comments<\/em><\/h2>\n

Artist bio excerpt:<\/p>\n

\"\"<\/p>\n

From the sidebar of the image page:<\/p>\n

\"\"<\/p>\n

The image:<\/p>\n

\"\"<\/a>

The History of the Bioluminoidal Fractalization Process, by Rhonda Strickland, on Redbubble.com. Click image to visit original page.<\/p><\/div>\n

And now an assortment of comments starting with some of the oldest and moving down to (some of) the more recent:<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

(comments were posted over a period of 2 years)<\/em><\/p>\n

\"\"<\/p>\n

\"\"\"\"\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

(-something beneath the sea?\u00a0 Like something dark and murky?)<\/em><\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

(nice and to the point.\u00a0 Does the “~” mean something?)<\/em><\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

(-a picture says a thousand words;\u00a0 this one –a thousand and one)<\/em><\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

(-that’s 3 encores)<\/em><\/p>\n

\"\" \u00a0\u00a0 \u00a0\u00a0\u00a0 \"\"<\/p>\n

\"\"<\/p>\n

(all day long…)<\/em><\/p>\n

\"\" \u00a0 \"\"<\/p>\n

(–is she saying the image and music is great, or that she herself is blind and deaf?)<\/em><\/p>\n

\"\" \u00a0 \"\"<\/p>\n

(–look at those two links.\u00a0 Who’s being featured here?\u00a0 The artist or the group?)<\/em><\/p>\n

\"\"<\/p>\n

(–could there be another Fiery-Fire out there?\u00a0 One on every art portal?)<\/em><\/p>\n

\"\"<\/p>\n

(–yes, that’s what I was thinking when I started to read these comments)<\/em><\/p>\n

\"\" \u00a0 \"\"<\/p>\n

(–another short, concise, Hemingway-esque comment, “She photoshopped.\u00a0 She was good.”)<\/em><\/p>\n

\"\"<\/p>\n

(–hey, this looks big!\u00a0 Top Ten?\u00a0 In the whole Fractal Universe!)<\/em><\/p>\n

\"\"<\/p>\n

(–hmmmn… not all Top Tens are the same, I’m thinking)<\/em><\/p>\n

\"\"<\/p>\n

(–2nd runner-up?\u00a0 I guess you need to know Redbubble to know whether this is something to get excited about.\u00a0 Looks like Rhonda knows Redbubble pretty good.\u00a0 Me?\u00a0 I would have said, “Beat it, Ushna!\u00a0 It hurts just looking at that graphic!”)<\/em><\/p>\n

\"\"<\/p>\n

(–didn’t he leave a comment before?\u00a0 Or did he forget?\u00a0 To err is human, to forget is “superb”.)<\/em><\/p>\n

\"\"<\/p>\n

(–I just can’t bring myself to use more than two exclamation marks in a row.\u00a0 I guess I need more practice.)<\/em><\/p>\n

\"\"\"\"<\/p>\n

\"\"(–nothing impresses me more than awards with big, fancy, metallic spelling mistakes in them.\u00a0 But then, who knows how to spell parallel properly these days?\u00a0 I’m going to go look it up again.)<\/em><\/p>\n

 <\/p>\n

\"\" \u00a0 \"\" \u00a0 \"\"(–the mysterious caps; the repetition; very stylish.\u00a0 The artsy avatar suggests they might have something just as interesting on their site –and all you have to do is click…)<\/em><\/p>\n

\"\" (–am I making fun of these people?\u00a0 You get favved 50 times and then the Most Favorites Group favs you with the “fav of favs”.\u00a0 I wonder what their idea of “success” is?\u00a0 On the other hand; no spelling mistakes in this one)<\/em><\/p>\n

\"\"(–finally, some intentional humour.\u00a0 Deviants on Redbubble?\u00a0 That’s comments to the exponent 2)<\/em>\"\" \u00a0 \"\"<\/p>\n

(–“You are really great”\u00a0 No matter how false or shallow, we all love to hear that, again and again…)<\/em><\/p>\n

\"\" \u00a0 \"\"<\/p>\n

\"\"(–check out the moronic face in the volkswagen and how neither of the two vehicles seem to follow the obvious curve in the road that they’ve been cut and pasted onto.\u00a0 Scary photoshop.\u00a0 More like crashing edge than cutting edge.\u00a0 Worse than a spelling mistake, in my mind.)<\/em><\/p>\n

\"\"(–three minutes… but that really is a compliment if you think about it –in the online environment where there’s always something else to click on –like the commentator’s linked avatar and name) \u00a0<\/em><\/p>\n

<\/em> \"\" \u00a0 \"\"(–grammar aside, where exactly are these people coming from if their blacklist is made up of: churches; political events; graveyards;<\/strong> or people?\u00a0 On the other hand, if they’re that picky then being “approved” by them is really something!)<\/em><\/p>\n

\"\"<\/p>\n

(–Yeah!\u00a0 The avatar looks like he really means it.)<\/em><\/p>\n

\"\"(–if this one didn’t crack you up good then you’ve either been reading too many comments like these or you’re the kind of person who posts comments like this.\u00a0 She’d like to recommend this as Digital Art as soon as she can find out if it is Digital Art?\u00a0 That’s far out.)<\/em><\/p>\n

\"\"<\/p>\n

(–was it an animated gif and I took the screenshot before all the frames could load?\u00a0 Or is it just another example of award images that are a parody of themselves?)<\/em><\/p>\n

\"\"<\/p>\n

(–best of the bunch, my favourite of all of them.\u00a0 “Absolutely stunning… have a great weekend”<\/strong>.\u00a0 In the (post-processed) words of T.S. Eliot… “In the room the women come and go;\u00a0 Saying “Rhonda, way to go!”)<\/em><\/p>\n

Oh, do not ask, \u201cWhat is it?\u201d<\/p>\n

Let us go and make our visit.<\/p>\n

–TS Eliot, here<\/a><\/p><\/blockquote>\n

Well, I hope you enjoyed this lush example of art comments.\u00a0 If you’re curious about the artist, Rhonda Strickland, you can see more of her work on her Redbubble page<\/a>.\u00a0 This particular image to which all these comments were made is apparently presented with music, although I wasn’t able to hear it myself.\u00a0 She works in a number of genres in addition to fractal art<\/a>, including that of poetry<\/a>.<\/p>\n

Don’t forget to leave a comment…<\/p>\n","protected":false},"excerpt":{"rendered":"

Like the elegant orchids and other surface-dwelling plant species called epiphytes, image comments can have a richness and uniqueness that is surprising when one considers their tiny size and extremely casual origin. And also like the epiphytes of tropical forests, comments can become almost as great, collectively, as the underlying tree they’ve attached themselves to, … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":4148,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2012\/11\/Epiphytes_costa_rica_santa_elena.jpg?fit=400%2C300","jetpack-related-posts":[{"id":271,"url":"http:\/\/orbittrap.ca\/?p=271","url_meta":{"origin":4143,"position":0},"title":"Epilogue","author":"Tim","date":"9 February, 2008","format":false,"excerpt":"The Persistence of CommentsIn case there's anyone still following this latest comment \"thread\", here's the final chapter.Toby sent us his final remarks which he said we could post if we wanted to. 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