{"id":343,"date":"2008-09-06T18:22:00","date_gmt":"2008-09-06T22:22:00","guid":{"rendered":"http:\/\/orbittrap.ca\/?p=343"},"modified":"2008-09-06T18:22:00","modified_gmt":"2008-09-06T22:22:00","slug":"guerrilla-fractals","status":"publish","type":"post","link":"http:\/\/orbittrap.ca\/?p=343","title":{"rendered":"Guerrilla Fractals?"},"content":{"rendered":"
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\"Bee<\/p>\n

<\/div>\n

Bee Pole<\/em> by The Jafagirls<\/a><\/p>\n

No review this week. But will you settle for a meditation<\/a> instead?<\/p>\n

If we assume that fractal art is indeed a legitimate fine art form — and I do — then every facet of fine art must be open to fractal art. I’ve argued in a previous OT post<\/a> that fractal art can be used for political expression<\/a>. Guido Cavalcante<\/a>, in another early OT post<\/a>, advocated using fractals for social commentary<\/a> and for “making the hidden visible.” And Tim has shown<\/a>, in a meta sense, that digital art can even be utilized to hold a mirror<\/a> up to the fractal community. <\/p>\n

But can fractal art max out with perfect subversiveness<\/a>? Can fractals be used for guerrilla art<\/a>?<\/p>\n

\"Lenin <\/p>\n

<\/div>\n

Lenin with Mittens <\/em><\/p>\n

[Photo by majorbonnet<\/a>.]<\/p>\n

Some artistic genres that were once perceived as more suited for the craft section of the remaindered bin<\/a> have come out swinging. The knitting community, in particular, has long showed a penchant for creating and displaying art using guerrilla tactics. Rose White<\/a>, who lectures on the history of guerilla knitting<\/a>, summarizes her talk<\/a> as follows:<\/p>\n

\n

Contemporary knitters feel very clever for coming up with edgy language to describe their knitting, but the truth is that for decades there have been knitters and other textile artists who are at least as punk rock as today’s needle-wielders.<\/p>\n<\/blockquote>\n

\"Knit <\/p>\n

<\/div>\n

Knit Tank<\/em> by Marianne Joergensen<\/a> (and 1000 volunteers) <\/p>\n

Any artistic movement faces certain struggles and some internal criticism when being born. Apparently, according to a post on 24c3<\/a> entitled “The History of Guerrilla Knitting<\/a>,” the crucial turning point for knitters came at the close of the 1960s:<\/p>\n

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Another schism happened at the end of the ’60s and beginning ’70s. Then enters our heroine: Elizabeth Zimmermann<\/a>. She was commissioned to make a sweater. She gave it to the company but they re-wrote the patterns using a proprietary system. Disgusted by the process, she started her own company and she’d invite knitters to be the boss of their knitting, distinguishing the “blind followers” from the “thinking knitters.” The point was to put the control of what was going on back into the hands of the knitter. It’s like Linux versus Windows.<\/p>\n<\/blockquote>\n

Sound familiar? Fractal art is waiting for a similar transformational break. The prevailing monarchy — with its de rigueur<\/em> software (UF<\/a>) and its corrupt, self-serving contests (BMFAC<\/a>, the FUC<\/a>) — constitute our comparable “proprietary system.” These Fractal CEOs create competitions designed to first and foremost highlight their own art<\/a>, then claim in subsequent publicity materials<\/a> to be showcasing “high quality works by the most important fractal artists in the world.” Even OT disliker Ken Childress<\/a> catapulted such propaganda again last week on his blog (no link):<\/p>\n

\n

UF is the program of choice for many of those who are the most respected fractal artists today.<\/p>\n<\/blockquote>\n

And Childress proves this claim by … simply making the claim — as if saying so makes any utterance true<\/a>, just like judging a fractal contest that includes your own work makes you respectable and “important.” Meanwhile, Childress gets to hang out with the self-selected Kewl Kidz in the Fractal McMansion. Why rock the boat when you’re sitting on a velvet cushion in it?<\/p>\n

So, it looks like we are at a crossroads<\/a>. And here’s the question of the hour. Are you a “blind follower”? Or are you a “thinking” fractal artist?<\/p>\n

\"Cosies\"Cosies <\/p>\n

<\/div>\n
Cosies for Anchors<\/em> by Maskerade<\/a><\/div>\n

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In many ways, the textile and fiber arts have a head start, but there are encouraging signs. Rose Rushbrooke<\/a> continues to break new ground with her fractal quilts. Eleanor Kent<\/a> uses knitting needles and photocopiers for her fractal-laced textile creations. Other fiber artists, like Lesley Kice<\/a>, create installations exhibiting fractal properties like self-similarity. And if you prefer wearing your art, Evil Mad Scientist Laboratories<\/a> will gladly show you how to make your own fractal earrings.<\/p>\n

\"Knitting<\/p>\n

<\/div>\n

Knitting Machine<\/em> by Dave Cole<\/a><\/p>\n

Can fractal artists push the guerrilla envelope? Do we have our own Banksy<\/a>? And what forms will these fractal guerrilla excursions take? Hacking websites to insert fractal art pop-ups? Quats made with Play-Doh<\/a> left conspicuously in daycare centers? Wearing cauliflower<\/a> buds in our suit lapels instead of carnations? <\/p>\n

Who in our community will step up? Or is someone already mining this territory? And, please, you won’t convince me the many CafePress<\/a> commercialistic offerings of fractal thongs<\/a> can be called erotic sorties into the battleground of guerrilla foreplay.<\/p>\n

Back with another more review-type post soon. In the meantime, how about a little music?<\/p>\n

<\/object><\/p>\n

Tags<\/strong>: fractal<\/a>, fractals<\/a>, fractal art<\/a>, fractal blog<\/a>, guerrilla art<\/a>, guerrilla knitting<\/a>, fiber arts<\/a>, textile arts<\/a>, jafagirls<\/a>, majorbonnet<\/a>, marianne joergensen<\/a>, maskerade<\/a>, dave cole<\/a>, smell my cauliflower<\/a>, recursive thongs<\/a>, cruelanimal<\/a>, orbit trap<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Bee Pole by The Jafagirls No review this week. But will you settle for a meditation instead? If we assume that fractal art is indeed a legitimate fine art form — and I do — then every facet of fine art must be open to fractal art. I’ve argued in a previous OT post that … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":3221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2008\/09\/BeePole_Jafagirls.jpg?fit=475%2C632","jetpack-related-posts":[{"id":411,"url":"http:\/\/orbittrap.ca\/?p=411","url_meta":{"origin":343,"position":0},"title":"Phase Two: A Real Fractal Art Exhibition","author":"cruelanimal","date":"17 September, 2009","format":false,"excerpt":"Swine Flu by Luke Jerram I think Tim's recent observations that fractal art is about to undergo into a new Phase Two paradigm shift are on target. Fractal art will never evolve beyond a curious, trippy, decorative craft until it moves away from being defined by software and instead starts\u2026","rel":"","context":"With 2 comments","block_context":{"text":"With 2 comments","link":"http:\/\/orbittrap.ca\/?p=411#comments"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2009\/09\/JackieJokers_recursion.jpg?fit=337%2C500&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5462,"url":"http:\/\/orbittrap.ca\/?p=5462","url_meta":{"origin":343,"position":1},"title":"Maybe You Should Stop Calling Yourself a “Fractal Artist”","author":"cruelanimal","date":"17 August, 2014","format":false,"excerpt":"Oxford Tire Pile 9b by Edward Burtynsky [Click on images to see higher resolution renditions.] \u00a0 Shut up and play your guitar. --Frank Zappa Seriously. I mean it. Calling yourself a \"fractal artist\" could be damaging your fine artistic street cred. On the Wikipedia Fractal entry, as Tim revealed in\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2014\/08\/EdwardBurtynsky_OxfordTirePile9b_sm.jpg?fit=450%2C364&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2781,"url":"http:\/\/orbittrap.ca\/?p=2781","url_meta":{"origin":343,"position":2},"title":"Is the 2011 BMFAC Accepting Entries from All Artistic Mediums?","author":"cruelanimal","date":"18 July, 2011","format":false,"excerpt":"Was this object made with fractal hardware? Y by Mark Wallinger. Photograph seen here. Fractal art is a fractal look and doesn\u2019t have to be something rendered from computing a fractal algorithm. --Tim Hodkinson, Orbit Trap Two remarks have caught my attention this week. The first was baffling but exhilarating.\u2026","rel":"","context":"With 4 comments","block_context":{"text":"With 4 comments","link":"http:\/\/orbittrap.ca\/?p=2781#comments"},"img":{"alt_text":"BMFAC Judging Panel","src":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2011\/07\/BMFACJudgingPanel.jpg?fit=450%2C298&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5672,"url":"http:\/\/orbittrap.ca\/?p=5672","url_meta":{"origin":343,"position":3},"title":"Everything you need to know about Fractals and Art in one blog post","author":"Tim","date":"11 August, 2016","format":false,"excerpt":"Fractals are many things to many people but as an art form they're really very simple:\u00a0 Fractals are a visual medium. Do not be fooled by such simple language and such a simple statement,\u00a0 \"medium\" is the thin edge of the wedge that splits fractal art apart and reveals all\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"322px-Mandel_zoom_00_mandelbrot_set","src":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2016\/08\/322px-Mandel_zoom_00_mandelbrot_set.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":418,"url":"http:\/\/orbittrap.ca\/?p=418","url_meta":{"origin":343,"position":4},"title":"Sheets in the Wind and Rings of Gold: The Ultra Fractal Style","author":"Tim","date":"2 October, 2009","format":false,"excerpt":"Whether you're a fractal artist or simply just a fan of fractal art, you're bound to eventually notice similarities in style and develop preferences for this kind of art or that kind of art. Fractal art is still what I would consider to be something of a niche art form,\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1053,"url":"http:\/\/orbittrap.ca\/?p=1053","url_meta":{"origin":343,"position":5},"title":"Return to Phase Two","author":"cruelanimal","date":"4 April, 2010","format":false,"excerpt":"Detail of Tuna by Chris Jordan I thought it might be fitting to once again examine pushing fractal art into its second phase.\u00a0 Tim laid the initial groundwork for a Phase Two approach to our discipline, and I've presented several examples of what a Phase Two fractal art exhibition might\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"Tuna (Detail) by Chris Jordan","src":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2010\/04\/ChrisJordan_Running7.jpg?fit=400%2C267&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/posts\/343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=343"}],"version-history":[{"count":0,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/posts\/343\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=\/wp\/v2\/media\/3221"}],"wp:attachment":[{"href":"http:\/\/orbittrap.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=343"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/orbittrap.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}