{"id":272,"date":"2008-02-10T02:55:00","date_gmt":"2008-02-10T06:55:00","guid":{"rendered":"http:\/\/orbittrap.ca\/?p=272"},"modified":"2008-02-10T02:55:00","modified_gmt":"2008-02-10T06:55:00","slug":"leave-a-light-on","status":"publish","type":"post","link":"http:\/\/orbittrap.ca\/?p=272","title":{"rendered":"Leave a Light On"},"content":{"rendered":"
\n

\"Leave<\/a><\/p>\n

<\/div>\n

Leave a Light On (2008) <\/em><\/p>\n

Reader Toby, in our comments section<\/a>, has finally taken up the challenge to address some of the points Orbit Trap has raised about the two major fractal competitions. He also added a few additional rimshots<\/a> for good measure.<\/p>\n

I admit it\u2019s tempting to rip right into the snark<\/a>. Wouldn\u2019t everyone savor an entire post of juicy call-and-response cleverness like this?<\/p>\n

~\/~<\/p>\n

\n

As a personal aside, I find your meretricious<\/a> writing style quite juvenile and hardly worthy of your obvious intelligence, but that is just a matter of taste.<\/p>\n<\/blockquote>\n

Ouch. What does one say to such a stinging remark?<\/p>\n

Option One: Apologize? I\u2019m very sorry. The next time I make my weak arguments<\/a>, I promise to use a style you find more pleasing.<\/em><\/p>\n

Option Two: Fight fire with fire? I understand, just as I\u2019m sure you\u2019ll understand when I tell you I find your powers of observation<\/a> and deduction to be somewhat lacking.<\/em><\/p>\n

Option Three: Go all Zen? It\u2019s just a cheap shot, Grasshopper<\/a>. Journey inward and become one with it. Then you will attain the peace that passes all understanding. <\/em><\/p>\n

<\/em>I think I\u2019ll choose Option Three\u2026.<\/p>\n

~\/~<\/p>\n

Fun, yes, but ultimately off the point.<\/p>\n

Toby\u2019s post has more branches than an arterial system<\/a>. But I will limit my response to his observations on fractal competitions. Much of the rest of his lengthy screed is diversionary fog<\/a>. Toby said he perused OT\u2019s archives, but I suspect he did not dig deep enough to find the big picture<\/a>. If he had, he\u2019d know Tim and I have previously addressed most of his arguments. Perhaps that is nature\u2019s way<\/a> of letting us know it\u2019s time for a refresher course.<\/p>\n

I never said anything about the Benoit Mandelbrot Fractal Art Contest until its second year. I gave Damien M. Jones a free pass the first go around and chalked it up to establishing initial seed money<\/a> to get the project off the ground.<\/p>\n

But last year\u2019s contest<\/a> had identical regulations and protocols — which were announced months<\/em> before a sponsor was even named. How could the phantom sponsors thus be responsible for mandating the stipulations of the contest? Are they telepaths<\/a>? And, even more astounding, what are the odds of two completely different sponsors insisting on indistinguishable arrangements?<\/p>\n

No, there is a more logical assumption. Jones, as the resident \u201cfractal art expert,\u201d convinced the initial sponsors to accept his own regulations — like exhibiting the judges\u2019 work. The second year, with the competition established, the late-arriving sponsors simply fell in line and accepted the existing procedures. Although Jones claimed he included the judges\u2019 work as a \u201chedge against insufficient quality<\/a>,\u201d BMFAC handed out<\/a> nearly fifty<\/em> honorable mentions last year. And yet the big prize, the exhibition in Spain, will be nearly half-filled with the work of the contest\u2019s own judges. Face the facts. BMFAC was deliberately created, first and foremost, for the judges\u2019 own self-promotion<\/a>. Everything else is an afterthought.<\/p>\n

Toby notes that Jones was \u201cuncomfortable\u201d with the BMFAC arrangement and agrees that including the work of judges is \u201crather unusual and not particularly desirable.\u201d You don\u2019t say. Isn\u2019t that just a euphemistic way of avoiding coming right out and stating such a practice is unethical <\/a>and unprofessional? Why might such collusion be universally frowned upon? Because a contest\u2019s results look rigged<\/a> rather than fairly juried? Why was Jones so uncomfortable if his actions were so reasonable and appropriate? Because people like me might raise questions about their propriety?<\/p>\n

Even if Jones did not write the rules himself, which is improbable, he\u2019s not off the hook<\/a>. No one forced him to accept the terms of his ethics-deprived sponsors. He made his devil\u2019s bargain<\/a> freely — knowing full well it would likely make many others uncomfortable, too. He chose what was expedient over what was correct. As a result, we are left with a contaminated competition.<\/p>\n

Toby laments OT\u2019s \u201cslanted, polemical style\u201d and claims that the entire BMFAC set up was not for \u201cself-glorification\u201d because the entrants\u2019 work was \u201cclearly separated\u201d from the judges\u2019 work. But such a separation, which in no way validates including the judges\u2019 art, only occurs at the contest\u2019s 2007 web site. There is no such separation<\/a> on the 2006 BMFAC home page. Moreover, was any distinction between \u201cwinner\u201d and \u201cjudge\u201d made last year at the exhibition<\/a>? Here is what is not in doubt. The judges stake out their 40% of the wall space<\/a> first — guaranteed and completely unjuried. The rest of the contest is then filled in around them. That\u2019s self-glorified enough for me.<\/p>\n

But Toby’s entire point is bizarre<\/a>. Does simply announcing that one is going to cheat allow one to then cheat with impunity? Being open about including the work of judges in a competition does not magically wipe away<\/a> all ethical concerns. But I will grant that it is certainly arrogant.<\/p>\n

Toby asserts that Tim and I implied that \u201cjudges and entrants<\/strong> [my emphasis] are a self-serving clique<\/a>\u201d and that we \u201cfailed to acknowledge that no artist\u2019s names were known to the panel during judging.\u201d Toby is being less than honest here. Neither Tim nor I have ever had anything ill to say about the contestants in any fractal competition. In fact, we have repeatedly made clear the selected artists are deserving of recognition and acclaim.<\/p>\n

The 2007 BMFAC exhibiting judges are another matter entirely. Are any of them not<\/em> members of the Ultra Fractal community? Certainly there is room for more aesthetic variety<\/a> on the judging panel. And when you combine the UF backgrounds of the judges with the mandatory, mammoth, made-for-UF scale in the entry requirements, well….<\/p>\n

Furthermore, how does Toby know the judges did not see the names of the entrants? The BMFAC site<\/a> makes no such notation. In fact, some of the winning entries contained visible artist signatures<\/a>. And were additional steps taken to ensure that judges\/teachers in the Mississippi School of Anti-Fractal Art\u2122<\/a> did not recognize the work of their own students<\/a> — some of whom were selected as winners? In truth, a strong case can be made that BMFAC’s organizers consistently showed an overall laxness in preventing conflicts of interest.<\/p>\n

Toby then ticks off the usual refrains about the Fractal Universe Calendar<\/a>: it\u2019s not a contest, including the editors is fair compensation, and the publishers rather than the editors are the final arbitrators.<\/p>\n

If the FU Calendar was nothing more than a publishing venture, then the editors would directly solicit contributions. Instead, images are submitted and pruned by screeners<\/a>. These editors are paid in part by having an image included in the final product, but are also free to add more of their own images into the initial cut. They then turn over a batch of pre-screened \u201cfinalists\u201d to the publishers who act as judges. This is indeed a competitive process. I believe all accepted entries, including those of the editors, also receive a monetary payment.<\/p>\n

Things go bad at the screening level. Again, we have a case of those doing the editing being \u201cexhibited\u201d in the calendar. That\u2019s a fair compensation, you say? Would you still feel that way knowing that just over 40% of the selected entries for the last four years were the work of four past or current editors?<\/p>\n

Just as 40% of the exhibition in last year’s BMFAC is comprised of the work of the contest\u2019s judges.<\/p>\n

I don\u2019t have to study pattern recognition<\/a> theory to see what\u2019s going on here.<\/p>\n

Again, as with Jones and his sponsors, the FU Calendar editors willingly choose to enter into their agreement with the publishers. The editors certainly deserve to be paid for their services. But they could aspire to professional standards by declining the option of having their own work included. They don\u2019t.<\/p>\n

We\u2019ve made it clear that the publisher (Avalanche) is free to do whatever it pleases. Spiral away<\/a> we say. It\u2019s their money. But the editors aren\u2019t forced to agree to the publisher\u2019s terms, so why express surprise, yet alone anger, that someone might question whether such conduct is proper?<\/p>\n

Toby then concludes that \u201cit is Damien who comes out clean here\u201d and asserts that Jones\u2019 decision to \u201ccease hosting your site was a rational act of self-preservation<\/a>, which he appears from the record to have done honorably and sensitively.\u201d<\/p>\n

If you read the email exchange<\/a> carefully, you\u2019ll notice that Jones abruptly blocks access to my web site and informs me the situation is permanent. There is no mention of me being a \u201csecurity threat\u201d<\/a> until much later. Nowhere does Jones ever show that I had either the ability or the inclination to damage Fractalus — which, as many readers know, is probably one of the most battened-down, secure servers on Earth. The suggestion that I could access files other than my own is absurd. No. Jones was trying to cover his butt<\/a>. He knew how his actions would look, and he resorted to smearing me for the sake of damage control.<\/p>\n

Such a ploy is not a new tactic on his part. Some years before, he used an identical maneuver to toss Paul N. Lee<\/a> off Fractalus. Lee, too, had a record of being critical of Jones and suddenly found himself labeled a \u201csecurity threat.\u201d To my shame, I believed Jones\u2019 explanation and said nothing at the time. I apologize openly to Lee — here and now — for my silence and for anything I ever said that wounded him. I was wrong not to look for the truth. What happened to Lee eventually happened to me, and I find nothing honorable or sensitive about any of it.<\/p>\n

Toby finishes with a shot chiding us that it\u2019s \u201ceasy to criticize when it isn\u2019t you bearing the responsibility, isn\u2019t it?\u201d You think so? Toby should try moderating this blog for a month and see if he can still find his way home after the experience.<\/p>\n

\n

Tim and I will leave a light on<\/a> for him.<\/p>\n

~\/~<\/p>\n

Rooms with a View<\/a>
Blog with a View<\/a> <\/p>\n

Image made with Fractal ViZion. Post-processed until they came by both land and by sea<\/a>.<\/p>\n

Tags:<\/strong> fractal<\/a>, fractal contest<\/a>, fractal art<\/a>, digital art<\/a>, benoit mandelbrot fractal art contest<\/a>, fractal universe calendar<\/a>, damien m jones<\/a>, fractalus<\/a>, toby<\/a>, orbit trap<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Leave a Light On (2008) Reader Toby, in our comments section, has finally taken up the challenge to address some of the points Orbit Trap has raised about the two major fractal competitions. He also added a few additional rimshots for good measure. I admit it\u2019s tempting to rip right into the snark. Wouldn\u2019t everyone … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":3246,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/orbittrap.ca\/wp-content\/uploads\/2008\/02\/leavealighton.jpg?fit=450%2C616","jetpack-related-posts":[{"id":4058,"url":"http:\/\/orbittrap.ca\/?p=4058","url_meta":{"origin":272,"position":0},"title":"Iterations of Hurricane Sandy","author":"cruelanimal","date":"2 November, 2012","format":false,"excerpt":"Hurricane Sandy's Fractalscape Renders \u00a0 But as if a magic lantern threw the nerves in patterns on a screen: --T. 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